No.50550[Last 50 Posts]
vaporwave, retrowave, j-pop, k-pop, canto-pop, anime ost/bgm, japanese shoegaze, j-rock, 80s/90s pop, lo-fi, chillwave, classic hip-hop, chillhop, jazzhop, vgm music thread
plz include artist name & song title or no one will click your embed. spam gets deleted
previous threads:
https://web.archive.org/web/20170508001657/https://8ch.pl/4chon/res/77871.htmlhttps://web.archive.org/web/20190801204148/https://8ch.net/4chon/res/195411.htmlhttps://web.archive.org/web/20190801204149/https://8ch.net/4chon/res/217948.htmlhttps://web.archive.org/web/20190801204147/https://8ch.net/4chon/res/286101.html>>22879 https://web.archive.org/web/20230326173628/https://4chon.me/lounge/res/22879.html
>Sola OP (結城アイラ - colorless wind) No.57821
>>55438hummmmena hummmmmennna aaaaawwwwwoooo00oogaaaaa I AM HOR NEYY
No.58093
good thread
No.58233
Thank G-d this thread is back heh
No.58855
https://metrophone.bandcamp.com/album/l-o-n-e-l-i-n-e-s-sI remember this being posted on OG 4chon back in the day. I can't believe how long ago that was, it feels like I was a completely different person.
No.58915
>>58863Aging millenial gang lock tf in
No.67048
>- To. 2002 #ESTi #ToPastOfMe
>Hello. Since we discussed Project D2 TalesWeaver, it's only fair to bring up Project D1 4LEAF.
>One of the six tracks you were responsible for in 4LEAF, 'Dandy Cat Modern,' was inspired by a dressing room concept, making you want to try a sophisticated sound. Every time you do, you use the signature Korg M1 Piano sound, possibly influenced by Madonna's Vogue. From then on, whenever fashion is a keyword, you never fail to incorporate this sound.
>You utilized Native Instruments Battery for the medium-tempo groove, and the shimmering sounds came from the Korg Trinity, which you've been using since high school. The XV-5080 and Supreme Dance expansion board produced most other interesting sounds.
>It's a shame that the avatar chat game was ahead of its time. The music I created back then doesn't sound bad now that the Y2K trend is in full swing. Though I don't seem too interested in pop music, every track you make seems to call for a vocal topline. Don't worry too much, and give song production a try as well.
>- From. 2023 #ESTi #4LEAF #OST
No.67049
>To. 2002 #ESTi #ToPastOfMe
>Hello! You lack enthusiasm for your music work right now, probably because you're baffled by having to work on such a childish project.
>You wouldn't have known back then how long the 'Crazy Arcade' characters would be remembered and loved. While it's understandable that you, in your early 20s, would want to work only on cool and impressive titles, you should focus on more than just what's right in front of you and observe your surroundings more broadly.
>You put less passion into arranging the main theme melody, thinking it was too childish, but on the other hand, you wanted to highlight cool elements in the stage selection screen composition by any means. You used your go-to Yamaha MOTIF, Korg Trinity, and XV-5080, but your research on new software instruments needed to be improved.
>Not only your favorite Japanese console games but also try visiting local PC rooms or observing what your cousins and nephews enjoy doing. Please broaden your perspective and gain various experiences before realizing the numerous mistakes and arrogance you'll face as you challenge different genres in the future.
>From: 2023 #ESTi #CrazyArcade #BnB #VGM #OST
No.67224
>- To. 2001 #ESTi #ToPastMe
>Hello there, this track was originally composed for a one-time CM for the D1 Project (4LEAF), but it felt like too much of a waste for it to be used just once. Fortunately, it was repurposed for TalesWeaver, where it has been accessible for a long time.
>The primary instruments used were the brass and drums of the Yamaha CS6X, the piano and strings of the Roland XV-5080, and the bass and synth tones of the Access Virus Indigo. Composer Minoru Komorita has influenced the J-POP house music style you admired during high school.
>At that time, you had not yet started using DAW programs like Cubase, so all instruments had to be played manually simultaneously and recorded in one go. When doing so, the timing of the sound rhythm would slightly offset when there was a lot of data, but it had an amusing charm as if a human was playing in real-time, even though the computer commanded it.
>In TalesWeaver, this track could be heard in the Valencia coastal area, and the only thing that comes to mind is the peculiar fish known as 'Mangdoongeo', cheerfully hopping to the beat of the song. All the developers, including you, loved this odd fish so much that they created many funny images around it, bringing a lot of fun to the office. Such amusing creations would eventually come to be known as 'memes' 20 years later.
>By the way, the term 'Mangdoongeo' was not standard Korean, so it was later changed to 'Mangdoongi', a fact that I've only just discovered.
>- From. 2023 #ESTi #TalesWeaver #VGM #OST
No.68169
>>68152Damb this sh*t slaps heh
No.69427
>Energy Rider - Groveland Road Productions 1997. Copyright YAMAHA 1997
>Jive XG - Composed and Authored by Rob Rowberry, Groveland Road Productions
>Low Down - Composed by Sam Sketty, produced by Yamaha MusicSoft Europe, 1997
>Piedradu - Yamaha MusicSoft Europe, 1997
>Steely - Composed by David Kelly, produced by Yamaha MusicSoft Europe, 1996
>Tenshi - Composed by Yoshika Ara
>Uchujin - [no authorship info available/found]
>Xgroove - Composed by Yasutaka Nakata
>Big Deal - Produced by Yamaha MusicSoft Europe, 1997
>ITSARAP - Produced by Yamaha MusicSoft Europe, 1997
>Jazz Drops - Composed by David J. Reading, 1997
>Turn Up, Strut In, Chill Out - Composed by David J. Reading, produced by Yamaha MusicSoft Europe, 1996
No.71849
>>71727>covaids predictive programming at like 6:25:00Wat
Must be from some old movie or something heh
